Caroline uses swatches and samples from the Standfast and Barracks archive and then layers, folds, stitches and manipulates to create these amazing pieces. Reference is made to the complex processes of manufacturing printed textiles and to innovation in dye chemistry. I especially admire the reference to design processes such as repeat systems and grids and the use of handwork.
The marriage of digital print and hand stitch is emphasises the use of traditonal techniques as well as celebrate modern ones. The disruption in pattern and the creases create faults challenge the perception of what pattern is, was and will be.
For me, creases give the feeling of something being old and emphasise the aging process. The pieces are celebrated by being put into frames and hanging on a gallery wall, valuing what we have as well as what we had.